Wednesday, January 11, 2012
Top 15 Books of 2011
Once again, I looked over a great deal of outstanding fiction over the past year, and here are my top 15 (well, sort of 16) in ascending order.
(Disclaimer: All of this is according to me, of course. Obviously there are many books I haven't read.)
#15 - Spirit Storm by E.J. Stevens (4.5) - Lighthearted but meaningful, the second book in Stevens's Spirit Guide series came this close to being much higher on the list.
#14 - The Stasis: Powerless book 3 by Jason Letts (4.6) - The best book of the Powerless series, full of despair and dark emotion.
#13 - The Miracle Inspector by Helen Smith (4.7) - A fantastic literary exploration of dystopian Britain. Darkly comedic and unsettling.
#12 - Draculas by Blake Crouch, Joe Konrath, Jeff Strand, and F. Paul Wilson (4.7) - Quite simply, this was hilariously gory fun.
#11 - Anomaly by Thea Atkinson (4.7) - Heartwarming and disturbing at the same time, a fascinating (not to mention revealing) look at addiction and the nature of sexuality.
#10 - Freeze by Daniel Pyle (4.8) - A short, powerful story that left me breathless.
#9 - The Gods of Dream by Daniel Arenson (4.8) - This hallucinatory look at the world of our sleep is meaningful and full of wonderful description.
#8 - The Ryel Saga by Carolyn Kephart (4.9) - A work of epic fantasy that is almost poetic in its prose and pace.
#7 - Jenny Pox by J.L. Bryan (4.9) - In the first book of his Paranormals series, author Bryan creates a work that very much stands up to the likes of Carrie and Weaveworld.
#6 - A Dance of Death and A Dance of Blades by David Dalglish (5.0) - Okay, so I'm cheating a little, but since these two books are the 3rd and 2nd in a trilogy, and are both now available in an omnibus, I figured I'd combine them here. Let's just say that Dalglish's Shadowdance books are so well-written and plotted that he'll have a hard time topping them in the future.
#5 - Dismember by Daniel Pyle (5.0) - A truly compelling journey of horror into the broken mind of a man who only wants his family back.
#4 - Cadman's Gambit (Shader Book I) by D.P. Prior (5.0) - With a compelling mix of science fiction and hard-boiled fantasy, this book captured me from the first sentence and wouldn't let me go.
#3 - The Infection by Craig DiLouie (5.0) - I'm a sucker for zombie fiction, and let's just say that DiLouie's opus is a new take on the end of the world and just about as good as it gets.
#2 - A Sliver of Redemption by David Dalglish (5.0) - Sure, his later series may be tighter and more refined, but as far as emotion goes—and I'm a sucker for emotional threads—Dalglish has never been better than in the final novel of his Half-Orcs series.
And finally...
drumroll
#1 - Burying Brian by Steven Pirie (5.0)
My favorite author over the last 20 years doesn't disappoint with his follow-up to Digging Up Donald. It's a hilarious and poignant journey of one inept man's attempt to save humankind, and heaven, from themselves.
And that's it, folks! Here's to a great 2012, to great books and great writers, so go out there and read!
Monday, January 9, 2012
Review: The Legend of Witchtrot Road (Spirit Guide #3) by E.J. Stevens
Rating: 4.7 out of 5
Man, do I love E.J. Stevens. She has such a pure innocence in her prose, as if she’s capturing just what it means to be young and in love and also, at the same time, have the weight of the world on your shoulders.
In The Legend of Witchtrot Road, the third installment in her Spirit Guide series, Stevens steps back a bit. The far-reaching story arch that encompassed the first two books is still present, but it is allowed to linger in the background, to heighten naturally. As a storyteller she reins herself in, focusing on the tale at hand rather than building her world outright.
In many ways, The Legend of Witchtrot Road is very similar to a midseason “event episode” of Buffy the Vampire Slayer. Yuki, our main character who smells the dead, has her own Scooby gang, and together they must solve the mysterious death of a classmate, whose untimely end came on the Witchtrot Road of the title. The road itself is steeped in myth, superstition, and dark history, and if the always stalwart Yuki is going to have a semblance of peace from her classmate’s lingering ghost, the answers to the mystery need to come quickly.
This is a tale of social conscience and, just like the great television show I mentioned earlier, takes some of the more pressing concerns facing our nation’s youth (bullying, eating disorders, the proliferation of drugs in the community, etc.) and presents them in a fantastic manner. It’s a type of storytelling that’s pure in intention and beautiful in message, especially when presented in a professional manner, which E.J. Stevens does with every book she puts out.
Now, even though the specifics of Yuki and company’s world aren’t explored in-depth, as I already stated, they are still there. There are some interesting developments when it comes to Simon (perhaps the best character in the series), and also certain events that made me, the reader, question whether or not Yuki and werewolf boyfriend Cal will indeed have the happily ever after they’ve seemed, until now, destined to live.
Yes, The Legend of Witchtrot Road is a fantastically naïve, touching, and thoughtful novel. Stevens continues on her journey as a writer, and you can plainly tell when you read the words she puts on the page that she continues to grow. The author has a wonderful story to tell, one that I thoroughly enjoyed and will certainly be passing down to my own daughter. To me, this is a coup of the YA genre, one that shouldn’t be missed.
Purchase The Legend of Witchtrot Road in Ebook format:


Wednesday, February 23, 2011
Review: Spirit Storm by E.J. Stevens
Rating: 4.5 out of 5
It looks like my newfound love of paranormal romance will continue, and I can pretty much blame it on one of my new favorite authors, E.J. Stevens.
A couple months ago, when I read She Smells the Dead, the first book in her series, I wrote that the innocent and almost ideal aspects of the relationships between the characters appealed to me the most. It reminded me of my own youth – actually, reminded me how lacking in sincerity my own youth was – and left me grinning by the end.
Well, with Spirit Storm, Stevens has raised the bar…in that category and just about everywhere else.
We start out where SStD leaves off. Yuki, our heroine who receives “smell impressions” from the dead, is busy preparing herself, in both mind and body, for Samhain (aka Halloween), when spirits enter the world in overwhelming numbers and could potentially drive her crazy, or worse. She is assisted by her werewolf boyfriend Cal, Simon, Cal’s werewolf mentor, and Emma, Yuki’s best friend/vegan/animal rights activist/all around spitfire.
It would be all well and good if all this group had to do was prepare for the horrors of that night. But no, fate intercedes with a tragedy: a member of Cal’s pack has been murdered by a werewolf-hater and the ghost of the dead man now haunts Yuki, urging her to help put his soul to rest. And then another werewolf is kidnapped, potentially by the same person. The small group of four is put on the case, future obstacles be damned. Can’t a girl get a break? It’s not like she doesn’t have enough to deal with.
Add to this to the stresses between Emma and Simon (they really don’t get along, though the text makes you wonder if there might be a hidden attraction that slips between the cracks during their fights) along with the pressure Cal is under now that it’s been revealed to his hidden society that he is the alpha male, and therefore leader of the pack by birthright, and we have a recipe for potentially overwhelming these poor, loveable young people.
Luckily, they’re up for the challenge.
The plot of this book is really quite simple and straightforward. As with SStD, the dialogue is impeccable and the story flows as smooth as any you’ve ever read. There are no dull moments, and even the dream sequences, which in the first book seemed to come from left field a couple times (which is appropriate, actually, seeing as that book served as an introduction, and those dreams ways to extrapolate on the functionality of the mythology presented), serve to heighten the tension this time around. The characters are idealized versions of teenagers yet completely believable, especially if you allow the language to take you on the magical ride it has to offer. Also, the author has curtailed her penchant for inserting Yuki’s thoughts into the story. Instead of being redundant this time around, they’re funny and poignant, which is a great improvement.
Perhaps what Spirit Storm does best, however, is something more mundane, more easily overlooked, especially when dealing with teenage romance. Stevens drives home the point that Yuki and Cal are soulmates throughout the story, and yet there are subtler tones there as well that bode well for future conflict. The author, while at times idealizing their behavior, doesn’t allow that to make them caricatures of young love. Instead, she inserts a rather brilliant thread involving the dangers of being too close, too young. In this way, she’s telling us that although these two wonderful creatures belong together, things don’t always end up the way we think they should. She’s careful to let her audience know that these are still children, that there will be other choices, other paths, other dangers, presented to them as time goes on. The risk comes from obsession, from thinking a situation to be too good to be true. She warns against holding on to this love, even if it might hurt to let go, because in life, when things go bad, the hurt and pain will do nothing but drag you into a deeper well of despair, the full cost of which may actually be a loss of self or identity.
As I said, this point isn’t preached about, but it’s there. And this line of reasoning is pressed up against the more surface themes of the work – responsibility, morality, and loyalty. This is illustrated wonderfully when the characters finally come face-to-face with the werewolf killer, himself. I won’t get into the particulars, but it was quite refreshing to see that a simplistic tale such as this, which often can veer into absolute shades of black and white, took the opportunity to splash massive amounts of gray on the landscape. What makes us who we are, the story asks. And who is to blame when we discover that those we’ve judged have reasons beyond our capacity to understand for acting and thinking the way they do, that their lives, and their actions, are the result of a cacophony of unfortunate life experiences? The book offers no answers to this question, only begs for forgiveness, for patience, for perspective. In this regard, I’ll even go out on a limb and say that this book may not only be an outlet for entertainment, but a teaching tool for the young, as well. It has something to say, after all, and it states its message with class and respect.
Now I have to be honest here and say that I was this close to giving Spirit Storm only the third perfect score
I’ve ever handed out. By the time I reached the last page, however, I discovered that I couldn’t. For as wonderful as the first ninety percent of the book is, I found the last bit a little…unsatisfactory. Again, I won’t go into detail, but there is a huge buildup to a climax that never seemed to come. I’ll leave this open to interpretation by the rest of you readers out there, because I’m only one man and perhaps I’m saddled with a need for action and resolution. Perhaps others will see the ending differently, perhaps they’ll find it perfect for the story it has to tell. But for this reviewer, it was slightly disappointing.
However, with that being said, the points I dock for this are minimal. The rest of the book is fabulous. More than anything, it is beautiful in both style and substance. It’s a quick read, and I continued to fall in love with the characters and root for them to succeed, both at the tasks at hand and at love, as the layers that make them who they are get pulled back. The romance between Yuki and Cal is refreshingly innocent yet needy, and it’s interesting to think about whether they’ll be able to grow as people or if they’ll find their only distinguishing characteristics are each other. This is a story of perseverance and devotion, both to loved ones and community, and still makes sure to let you know that there are pressures, both internal and external, that wish to rip apart everything they’ve built.
What else can I say? I adored this book, ending be damned. It deserves to be up there in the pantheon of new PR releases, right alongside Amanda Hocking, another of my favorites in the genre. I know I will be passing both Spirit Storm and She Smells the Dead down to my daughter, and I will feel confident in doing so; confident that the messages she receives from the words Stevens has put down on paper will enlighten, amuse, and most important of all, make her think.
That’s really all you can ask for.
Plot - 10
Characters - 10
Voice - 9
Execution - 7
Personal Enjoyment – 9
Overall – 45/50 (4.5/5)
Buy Spirit Storm in the following formats:
Paperback


Ebook

Wednesday, December 29, 2010
Review: She Smells the Dead by E.J. Stevens
Rating: 4.3 out of 5
I’ve said before that I have no love of paranormal romance as a genre. It’s too girly, too gushy, too intrinsically self-absorbed and flighty, to be worth my while. I mean, who wants to read about some young girl with “special talents” who falls head-over-heels in love with some otherworldly creature?
Uh, apparently I do. So color me a liar.
I received She Smells the Dead by E.J. Stevens as a review copy, and honestly I was excited to dive into it. No matter my previous statements on the matter, the truth is I’ve had a long and enduring love for Buffy the Vampire Slayer and trashy romance novels. It’s the inherent impracticality of the stories that draw me in; how can you not feel affection for a story told about youngsters who want nothing more than to be naïve and free, yet have massive, mythical responsibilities heaped on their shoulders? It offers us a chance to explore adolescence without having to relive it, in many ways offering up an idealized version of teenagers without ever losing sight of the inborn selfishness and idiosyncrasies that come with being a teen in the first place.
She Smells the Dead introduces us to Vanessa Stennings, a girl who likes to be called Yuki (we’ll get into my trepidation over the popularity of Japanese culture among today’s youth another time) and who possesses a very quirky paranormal talent – like title of the book suggests, Yuki can smell the dead. As she says in the prologue, this isn’t like smelling rot or something of the like. Instead, what we have here is an actual haunting; a ghost wants to tell Yuki something, and so gives her clues through her olfactory senses. Think The Sixth Sense with nothing but your nose to guide you (and minus one creepy little boy). I found this to be a very original innovation on a somewhat overused theme, which made it stand out.
Yuki is a senior in high school. She has all the shortcomings of any girl her age – indecisiveness, doubtful of her future, obsessed with clothes, falls in love with the wrong guys – and yet she is still almost idyllic in the way that she has this (recently discovered) power and makes it her goal to help those wayward spirits haunting her find their way back home.
For support, Yuki has the prerequisite quirky cast of friends – Emma, a brilliant vegan with a tendency to seek out and expose oppression against the animal (and insect) world, and Calvin, her scruffy bff-for-life (who might also be something more than that). Just as in shows like Buffy and Smallville, this little group bands together to help Yuki solve the “spirit problems”, researching at the public library and going on (sometimes not very well thought out) investigative ventures. Many times the solutions are outrageously easy (not to mention unexplained), but that’s okay. This isn’t a book intent on bending your mind.
It is all pretty formulaic, but She Smells the Dead gains its wings with dialogue (conversations flow without a hitch, which takes copious amounts of talent) and an imaginative reclassification of standard tropes. As an example of the latter, I must bring out a plot point that may be a spoiler (and some may roll their eyes at): Calvin is a werewolf. However, author Stevens has created a fresh perspective on werewolvery by doing the unthinkable – going backward. She fastens their existence to the root of the original (Native American) shapeshifter myth; a spiritual partnership between creatures of the wild and man, beneficial to both with nary a mention of curses or evil deeds. When I read this I wanted to stand up and say, “Bravo!” Very well done, indeed.
There are quite a few customary themes to the work, with those of self-discovery and duty climbing to the forefront. As you might have been able to tell, I appreciated Yuki’s steadfastness when it comes to her obligation to the dead (as well as the difficulty with figuring out their problems with only something like, say, the smell of vinegar to go on). But the scenes where she trains with Calvin, trying to harness her power, are truly well done. We get to see her weak – both with a burgeoning love for her old friend and the doubt of her capacity to channel her abilities – and strong. She is a young girl facing seemingly insurmountable odds, yet she never once really hesitates.
There is an innocent quality to the work that I appreciated, as well. I think, at the end of it all, that’s the most appealing facet. Like with the Harry Potter series, we see young people (who could be any one of us) grow up before our eyes. They think and act like the teenagers they are, but hold an almost preternatural sense of honor. Looking back on my own life, when reading material such as this, I sometimes wish I could have as sturdy a head on my shoulders as they do.
On the minus side, Stevens has a strange habit of interjecting Yuki’s thoughts into the text, even though they are directly preceded by information that makes those thoughts repetitive. And redundant, too! (See what I mean?) At first I found this quirky and even a bit funny, but as the story went on I started to roll my eyes whenever something like that came across. A slight drawback, but a bearable one.
Other than that, there really isn’t much to complain about. Not that I would want to. I had a lot of fun reading She Smells the Dead. It’s nostalgic in a wish-you-were-here sort of way, and the mushrooming young love between Calvin and Yuki is something like a bunch of kindling teetering perilously close to an emotional firestorm. It’s well-written and it flows, it’s not too violent, and surprisingly original. And it’s also very short, as it is basically the introduction into a series that continues with the second book, Spirit Storm, a book I’m itching to dive into, which will undoubtedly reveal the solution to the rather ingenious cliffhanger of an ending.
Yes, I recommend She Smells the Dead. This man fell in love with it, and I think women of all ages will, as well.
Plot - 8
Characters - 10
Voice - 8
Execution - 8
Personal Enjoyment – 9
Overall – 43/50 (4.3/5)
Purchase She Smells the Dead:
Paperback
