Showing posts with label steven pirie. Show all posts
Showing posts with label steven pirie. Show all posts

Wednesday, January 11, 2012

Top 15 Books of 2011

Well, I'm a tad bit late to the game here, but better late then never, right?

Once again, I looked over a great deal of outstanding fiction over the past year, and here are my top 15 (well, sort of 16) in ascending order.

(Disclaimer: All of this is according to me, of course. Obviously there are many books I haven't read.)

#15 - Spirit Storm by E.J. Stevens (4.5) - Lighthearted but meaningful, the second book in Stevens's Spirit Guide series came this close to being much higher on the list.

#14 - The Stasis: Powerless book 3 by Jason Letts (4.6) - The best book of the Powerless series, full of despair and dark emotion.

#13 - The Miracle Inspector by Helen Smith (4.7) - A fantastic literary exploration of dystopian Britain. Darkly comedic and unsettling.

#12 - Draculas by Blake Crouch, Joe Konrath, Jeff Strand, and F. Paul Wilson (4.7) - Quite simply, this was hilariously gory fun.

#11 - Anomaly by Thea Atkinson (4.7) - Heartwarming and disturbing at the same time, a fascinating (not to mention revealing) look at addiction and the nature of sexuality.

#10 - Freeze by Daniel Pyle (4.8) - A short, powerful story that left me breathless.

#9 - The Gods of Dream by Daniel Arenson (4.8) - This hallucinatory look at the world of our sleep is meaningful and full of wonderful description.

#8 - The Ryel Saga by Carolyn Kephart (4.9) - A work of epic fantasy that is almost poetic in its prose and pace.

#7 - Jenny Pox by J.L. Bryan (4.9) - In the first book of his Paranormals series, author Bryan creates a work that very much stands up to the likes of Carrie and Weaveworld.

#6 - A Dance of Death and A Dance of Blades by David Dalglish (5.0) - Okay, so I'm cheating a little, but since these two books are the 3rd and 2nd in a trilogy, and are both now available in an omnibus, I figured I'd combine them here. Let's just say that Dalglish's Shadowdance books are so well-written and plotted that he'll have a hard time topping them in the future.

#5 - Dismember by Daniel Pyle (5.0) - A truly compelling journey of horror into the broken mind of a man who only wants his family back.

#4 - Cadman's Gambit (Shader Book I) by D.P. Prior (5.0) - With a compelling mix of science fiction and hard-boiled fantasy, this book captured me from the first sentence and wouldn't let me go.

#3 - The Infection by Craig DiLouie (5.0) - I'm a sucker for zombie fiction, and let's just say that DiLouie's opus is a new take on the end of the world and just about as good as it gets.

#2 - A Sliver of Redemption by David Dalglish (5.0) - Sure, his later series may be tighter and more refined, but as far as emotion goes—and I'm a sucker for emotional threads—Dalglish has never been better than in the final novel of his Half-Orcs series.

And finally...

drumroll

#1 - Burying Brian by Steven Pirie (5.0)

My favorite author over the last 20 years doesn't disappoint with his follow-up to Digging Up Donald. It's a hilarious and poignant journey of one inept man's attempt to save humankind, and heaven, from themselves.

And that's it, folks! Here's to a great 2012, to great books and great writers, so go out there and read!

Sunday, December 18, 2011

ST Review: Burying Brian by Steven Pirie

This review originally appeared in Shock Totem Issue 4


Rating: 5 out of 5


When I read Digging Up Donald four years ago, I stated that it was the best book I’d read in the last twenty years, and I meant it. I’d known Steven Pirie for a long time through writers’ groups and other online venues, and knew he possessed a wit and charm that few others could match, but never in my widest dreams could I have guessed that a book written by someone I considered an acquaintance would possibly stand alongside the likes of Douglas Adams, Clive Barker, and the rest of my all-time favorites.


And yet it did, so when Mr. Pirie announced that he had written a second offering that takes place in the same universe, I eagerly requested a copy for review. As an odd happenstance (at least for me), I never once questioned if Burying Brian, this aforementioned second book, would reach the same heights that Donald did.


My assumptions weren’t wrong.


Burying Brian brings us back to Mudcaster, that odd little town sitting snug in the English countryside, where the forces of good and evil perform their seemingly never-ending dance of power. This time God has thrown his all-powerful self into the ring as well, because for some reason known only to God (He does work in mysterious ways), He’s stricken with the urge to head back down to Earth and live amongst the mortals yet again.


The Mother and The Father, the old (very old) lords of balance in Mudcaster, are aging, with The Mother verging on entering Grandmotherhood, which itself carries a litany of “changes”. Because of this, it’s up to their daughter Maureen and her husband, a ne’er-do-well simpleton named Brian, to set things right and stop the demons of hell from bringing about humanity’s Final Judgment.


Brian, in particular, has a large part to play, the biggest of all. In Donald he was a rarely seen character, more used to be the butt of brilliantly sublime sexual innuendo. He has come full circle once Brian begins, however, and he’s chosen to go on a quest, to learn all he can about the failings of the human race so he can properly defend the sins of man. His journey takes him from the dart competition at his local pub to the bowels of hell. His trip is long, often times hilarious, and always affecting. Being a bit of a damp lettuce, Brian many times suffers through his trials only to emerge on the other side with his innocence intact. Because of this, I couldn’t help but think of the themes presented in Galapagos by Kurt Vonnegut, in which humans are said to have been cursed by their big brains and even bigger ideas. As Brian vividly displays on every step of his journey, when you live in a world of such unnecessary complexity, sometimes the simple answers, those we overlook, are the ones we should be seeking out.


On the whole, Burying Brian doesn’t just approach brilliance but completely surpasses it. The prose Pirie uses is clever, never dull, and brings about a sense of poignancy that does what the best literature is supposed to do – make you think. The world he’s created is vast, with layers of religious mythology piled on top of everyday existence, creating a setting that is equal parts mundane and fantastic. Common folks and jobs (such as undertakers) are expanded upon, given far-reaching implications and meaning in the history of the universe. He also uses “funny physics” to help drive forward the plot – something as routine as the sequence of the bingo balls at the local old-folks’ home have dire consequences to the order of the cosmos – further illustrating the absurdity of the unnecessary complexity we humans must deal with on a daily basis.


In all, I can once more say that Steven Pirie has done it. Burying Brian is more than an equal to his last book; it’s an indispensable companion to it. To this reviewer’s eyes, Pirie is the greatest writer of his generation. Burying Brian will excite you, make you laugh, and cause you to question all those mores we all hold as law, be it in regards to religion, science, sexuality, or marriage. Burying Brian is the best book I’ve read in a long time, and this author needs to be placed in the pantheon of other greats, alongside the likes of Bradbury, Vonnegut, Adams, Pratchett, and Robbins. This novel is well worth anyone’s time, and I give it fifteen thousand enthusiastic thumbs up.


Purchase Burying Brian in Ebook format at:






And in Paperback at:








Sunday, August 30, 2009

Digging Up Donald



"Did you throw open the doors of Heaven to one and all?"
"Don't be daft, it would fill up with Christians. What would Heaven be if there were Christians everywhere? We'd all have to watch our language."



On Fridays, the public library in town closes down early. There will be no checking out books after 5 PM. That means by the time I get out of work that day, the lot is empty and the doors are closed.

I say this because I have become a ravenous reader, going through books the way junkies go through their latest score. I rely on these forays into fantasy to, as I’ve said before, both build my own craft and escape the doldrums of a monotonously busy work week. In other words, finishing a novel on a Friday, if I have no new purchases handy, will leave me high and dry for the weekend and reduce me to perusing my ever-growing bookshelf at home for some retread reading material.

Recently, this very circumstance occurred, and I happened to pick up a book a friend of mine had written back in 2004 titled Digging Up Donald. I shrugged, grabbed it off the shelf, and read it for the first time in four years, when Steven Pirie, my friend and fellow author, sent me ten copies to sell at an international art exhibit that Artwiffy hosted back in ’05.

Boy, am I glad I did, because for a second read, this one blew me away. It is such a fantastic book, filled to the point of spilling over with horror, comedy, and mostly coming-of-age wisdom. The tone is wry and distinctly British, and anyone who ever enjoyed an episode of Monty Python or Black Adder – or maybe even Twin Peaks - will eat this up. I don’t know why I didn’t rave like this back when I first passed my eyes over the sentence, “It was biscuits at ten paces”, four years ago, because I knew even then that I loved it. Perhaps I wasn’t at a place in my life where I could fully appreciate it; or maybe I couldn’t find the proper words and confidence in those words to express myself accurately. Either case, that time is past, and now I am here to sing, baby, sing.

Digging Up Donald is the story of a family in the small English town of Mudcaster, a place that stands on the brink (and frontlines) of Armageddon. Demons have infiltrated the town, you see, and are planning a war that only the Family can stop – with the help of the peculiar and wholly original Donald, of course, for whom the book is named. There are quite a few funny instances where Mother and Father plan to get down and dirty with the whole business, all the while keeping true to their quaint, small-town British sensibilities. The situation with their daughter, Maureen, who is faced with losing something every woman of child rearing age fears, is played out tongue-in-cheek, and her relationship with her sheepish husband Brian is developed with a maestro’s display of wit and sexual metaphor. The townspeople, each of whom is distinct, add more than the story’s backdrop; they’re just as vital to the plot and feel as any of the major characters, which include, among others, the family’s quirky (and deceased) Uncle Norman and a wily, disembodied brain predisposed to acts of extreme violence.

As I said earlier, however, this is a coming-of-age story as much as anything, and to this point the central character is Robert, Mother and Father’s youngest child. His passage to adulthood is marked with the generalities usually ascribed to such tales – responsibility, exploration, loss, young love – only presented in an original and heartwarming fashion. Robert’s romance with Joan, the daughter of the Reverend Likewise (who might not be what he seems) is both sweet and filled with youthful daring, and proves to be a central cog in the resolution of the conflict. To juxtapose this, his rapport with The Grandmother (another shrewdly crafted character) surveys the duplicitous discord-versus-culture inherent with the coexistence of the older and younger generations. Their scenes together are painted with brutal honesty, yet there is a definite tenderness there when you peel away the outer layers.

The underworld is another thing of beauty, created out of a familiar mold and then flipped, upside-down, on the plate of pages. Wait until you see the rapport between the souls here, both lost and found. It’s sure to have you both rolling on the floor laughing and scratching you chin, saying, “huh, that makes sense.”

As a tale of the never-ending battle between good and evil, Digging Up Donald doesn’t forget to present the idea that, even in this fantasy world, not everything can (or should) be lathered in extreme shades of black and white. God is an overbearing father who seemingly doesn’t care too much about what goes on beyond his own gates, and the devil character is very polite with an irresistible swashbuckling charm. The demons are things we can loathe, laugh at, and feel sorry for, all at the same time. It also offers what I find to be a brilliant proposal; that this supposedly unending battle goes on for no other reason than the fact the particulars, the powers-that-be, aren’t forward thinking enough to realize there could be an end, presenting the immortals of both the upper and lower realms as creatures locked in a stubbornly ignorant perception of history.

Needless to say, this is one of the most intelligent, earnest, and hilarious books I’ve ever read. I’m not speaking (er, writing) in superlatives here. The only other novel I’ve completed which it compares to is Another Roadside Attraction by Tom Robbins. I definitely recommend this to any and all audiences. Pick it up, and you won’t want to put it down until you’re finished.

Yes, gentle readers, it is that good.

You can purchase a copy of Digging Up Donald here.