"Death Devours All Lovely Things" Released, Plus Infinity Trials Updates

For anyone who's just dying to delve deeper into the backstory of The Infinity Trials, I just released a 100-page novella that focuses on the history of Edwin, the grumpy vampire introduced at the end of "Boy in the Mirror," who acts as Jacqueline's guide for the remainder of the series. It's a story that goes from 19th century Ireland to America in the near future—or at least one of the many futures that are possible in the overarching world I've created. 

I'll post the blurb now, but please read on after the buy links for updates on how the final Infinity Trials volume is progressing.

DEATH DEVOURS ALL LOVELY THINGS

Edwin Vyse has never found the balance between being a man and a monster. For all of his unnaturally long vampiric life, he's been alone, never felt the sun on his skin, and been forced to kill to survive. His life, if that's what it can be called, has been a persistent dance along the edges of reality, a fever dream he cannot awaken from.

When fate brings him into the orbit of a beautiful graduate student, however, things begin to change. Maybe love can, indeed, kill the beast. So long as his monstrous nature doesn’t ruin everything.

Robert J. Duperre presents an epic novella of love, loss, and murder, chronicling the life of one of the major supporting characters in his urban fantasy series, The Infinity Trials.

Ebook available now at:
Amazon
Barnes & Noble
Kobobooks
Google Play
iTunes (Coming Soon)
Smashwords

Now, on to how the final book in the series is progressing.

Let me just say this—I've had far more difficulty with "God in the Girl" than any other book I've written. Personal tragedies and the subsequent depression have made me put the book on hold for long stretches, which has led to me having to re-familiarize myself with the story whenever I've gone back. This is a complex story, with many moving parts, and tying together all the different plot threads in a satisfactory manner can be mind-numbing at times.

However, it's starting to flow a little more freely now. I'm roughly halfway done, and I'm confident that once the momentum of the end starts rolling, so will the speed (and competence) of my writing. I'm not going to give a time frame for when the book will go live. When it's finished, it's finished, and I refuse to rush it. "God in the Girl" will be the culmination of my vision for an entire shared world, so I have to be careful with it, which includes being diligent with edits so that it flows well and tells you, the reader, everything I wish for you to know. 

So please don't worry. It'll get done, probably more sooner than later.

'Til next time!

COVER REVEAL: THE MIRROR OF SOULS

Three years ago, I wrote a book called Silas. In that book was a young girl named Jacqueline Talbot, whose character I've been thinking about for a long, long time. I said then that I would one day write her story, and a few months ago, I began to do just that.

That's right, folks. The first book in the Covenant series, The Mirror of Souls, is soon to be published. For the first time ever, here's the cover:

Product description:

Fifteen-year-old Jacqueline Talbot’s boyfriend Mal lives in the mirror of her makeup case. But then there’s never been anything normal about Jacqueline, nor it seems her new hometown of Mercy Hills.

With rumors of actual monsters in the woods, the popular kids taking an unhealthy interest in her, and the revealing of her own dark past, all Jacqueline wants to do is run away forever with Mal. Too bad he’s trapped in the mirror.

But when she learns the ancient forces of the town want to destroy everything she loves, the race is on to free the boy in the mirror, because he just might be the only one who knows how to stop them.

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The book is currently on pre-order over at Amazon, and I plan on making it available across most platforms come its January 22nd release. This book (and series) is Young Adult with a horror slant. It'll be my first solo new release in over two years, and I'm quite excited about it. (Writing all those books with David Dalglish sure took a lot out of me!) Currently, I'm working on the 2nd book (The Chalice of Desire), with a tentative publication date at the end of April.

In the meantime, there will be another announcement coming in the next few weeks to add even further excitement! I will also be posting the prologue to The Mirror of Souls shortly. So until then, read a good book, dammit! Preferably one of mine!

THE MIRROR OF SOULS PRE-ORDER (CLICK TO PURCHASE)

All about me!

Would you look at that. I haven’t posted anything to this blog in over a year. To think I used to post three or four times a week. And almost none of them were about myself. Madness!

Well, to keep with the theme, I guess I have to write about myself again. A lot of stuff has gone on since I announced the sale of The Breaking World to 47North, and I should really get all those who’re interested updated.

First off, all three books in the initial run of the fantasy series Dave and I wrote are now complete. Dawn of Swords was published in January, while Wrath of Lions is set to be released on April 22^nd. Add to that the fact that Blood of Gods is perilously close to being sent to copyediting, and you can tell how busy of a year it’s been for me. That’s 620,000 words of fiction written in 15 months. Something I never thought would be accomplished, has been. And I couldn’t be happier.

In other news (and this should’ve been posted a long while back), over the course of two months, from August until October of this past year (and while writing the rough draft of Wrath of Lions), I went through and did a complete re-edit of the entire Rift series. That was something I’ve been pining to do for a very long time. There were just certain things about the series that wore on me, from typos to style to an ending that I (and a number of reader) felt was rushed. So I dove in and made over three thousand corrections, as well as added an extra 10,000 words, most of which come at the book’s climax. Hopefully, the added material will make the final battle feel much more real, and add some much-needed closure for characters that had been unfairly ignored by me. Personally, I think it enhances the story greatly.

As it stands, the revised version of The Rift is only available in the four-book omnibus. For now, the individual books remain the same as they were when they were originally published, though only available in e-book format. The print version of the series is now offered in two separate volumes. Also, unlike when I first put the omnibus together last year, the digital version contains all of Jesse’s awesome artwork. Yay for progress!

Oh, and now The Fall e-book is permanently available for free, so there's that as well.

So we have the Breaking World books and The Rift news. To add to that, there’s a short story I wrote coming down the pike any day now. The story’s called Silence, and it will be included in Shock Totem issue 8.5, which is a collection of love stories told with a horror slant. The story I submitted might be my favorite ever, so I can’t wait for the day that gets released. Oh, and there’s also another short I’m writing for an invite-only anthology called My Peculiar Family. The story’s not finished yet, but it will be in the next day or so, and it’ll be another good one when it is. Thanks, Kristi, for inviting me! That anthology should see the light of day sometime at the end of the summer of 2014.

All of which begs the question: where is Rob going from here? Well, Dave and I still have three more books to write together—Kings of Ruin, Prince of Beasts, and Queen of Lies—in order to finish off our tale of Dezrel’s beginnings. To be honest, after writing the first three books in that series so damn quickly, we’re both suffering from a bit of burnout, so we’re going to put off starting those for a little bit. In the meantime, I’m going to go ahead and write the rough draft of The Mirror of Souls, which was placed on the backburner when the opportunity to work with Dave came about. That story’s all I’ve been able to think about for a couple weeks now, and I can’t wait to dive in. Jacqueline Talbot is calling out to me, folks. Tell my story, she says, and rather creepily at that. I’m getting the shivers just thinking about it!

However, just because I’m writing that book doesn’t mean it’s going to be released anytime soon. I’m still not sure what I’m going to do with it. I haven’t decided if I want to self-publish or find a home with an actual publisher (if that’s even an option). Another thing to take into consideration is books 4-6 of The Breaking World. Should the pressure mount to dive into that world once more, that’s something I’ll have to do. If that happens, any public sighting of Jacqueline’s first solo effort would be delayed indefinitely. While I do plan on having the rough draft finished by the end of April, I couldn’t justify putting out a single tome of a four-book series, only to let the readers sway in the wind for a year or two. Nope, not gonna happen.

In other words, everything’s still up in the air. All I do know is that I have two short stories and two more books coming out in the next eight months. And that, in and of itself, is something to be excited about.

Thanks for stopping by and listening, and hopefully I can start keeping this blog a little more active than it’s been.

But no promises. :-)

Rob D

Review: Best Laid Plans (Shader Book II) by D.P. Prior

Rating: 5 out of 5

Sequels are a tricky business. I consider it a rarity when books actually get better after a fantastic opening volume. Off the top of my head, I can only think of three series that hold this distinction: King’s The Dark Tower, Dalglish’s Shadowdance Trilogy, and of course the Harry Potter books.

In other words, with Best Laid Plans: Shader Book II, D.P. Prior has joined some pretty select company.

Best Laid Plans picks up the story of the events on Sahul (and in other, more surreal locales) with the characters in dire straits. The undead army of the liche Dr. Cadman has overwhelmed Sarum, the Templum fleet is approaching Sahul, and Deacon Shader, our hero, is, well, dead…none of which will stay true for very long.

To say this book has a busy plot would be an understatement. At my count, there are at least nine storylines going on at once: Deacon’s experience in the afterlife, the struggles of the White Order, the survival of those trapped in Sarum, Cadman’s angst and rise to efforts to retain power, Maldark the dwarf’s guilt over his past, the dreamer Huntsman’s continuing education of Rhiannon’s brother Sammy, Sektis Gandaw’s quest to assemble the statue of Eingana and begin the unweaving, Shadrak’s growing importance to the whole (possibly) preordained events unfolding, Shader’s resurrection and subsequent quest, and Emperor Hagalle’s double-handed dealings. Throw into this mix vast battle sequences, and you have a piece of literature that could very well have become disjointed and confusing in a lesser author’s hands.

Yet Prior is up to the task in this opus, and the narrative he builds is a fascinating one. There is mythology and philosophy, questions as to the nature of reality and time, scathing observations on government and religion, and even a few references to modern-day events and objects that bring this beyond the realm of just a great epic fantasy adventure. All of these tropes and points meld together, creating a work that is exciting while at the same time thought-provoking.

This book questions everything. While there are certainly protagonists and antagonists, these characters are as far from being cardboard cutouts that you can get. Perhaps the greatest achievement is the way Prior allows us, through differing points of view, to see inside the minds of virtually every major character and allows us to develop at least an inkling of empathy for them. Even the despicable Cadman and the perhaps more-despicable Gaston (who performed a virtually unforgivable act in the first book) are given time to show they’re real, flesh-and-blood people with doubts and fears and even remorse. It allows them, the characters, the move the plot forward rather than the plot moving them, which for a work that deals a lot in fate and preordination is a feat in and of itself.

The battle sequences were well thought-out and exciting—much more so than in the first book—and particularly the scenes that take place at sea, while Deacon is attempting to find the albino who stole his pieces of Eingana, are captivating. They’re a mixture of new and old, a melding of science fiction and Tolkien-esque fantasy that is truly original and awe-inspiring in scope. There were very few times where I became confused, and even on those rare occasions all it took was a small step backward to realize that I’d simply missed a sentence or misunderstood the usage of a certain word or phrase.

In conclusion, I can say that Best Laid Plans not only matches Cadman’s Gambit, the first book in the series, but enhances it. This is a book chock full of imagery both beautiful and hideous, with a mixture of genuine comedy in places to break up the despair and tension. It was a beast of a story to read, one I didn’t want to put down. And by the time I reached the cliffhanger ending, I wished more than anything that I had the third book on hand so I could get right to it.

That’s right, folks, D.P. Prior has crafted a wonderful mythology that goes perfectly with his spot-on writing. This is a series that should be savored like a fine scotch, one whose sweetness lingers in your mouth long after you’ve swallowed.

Purchase Best Laid Plans in E-book format from:

Review: A Dance of Death (Shadowdance Book III) by David Dalglish

Rating: 5 out of 5

I love David Dalglish’s books. There, I said it. Everything he’s put out I’ve devoured and raved about. From Weight of Blood, the introduction to his Half-Orcs series, to his new Paladins adventures, each story builds upon the next, further enhancing and enriching the world he’s created and presenting new conspiracies, enemies, and themes.

Now we come to A Dance of Death, the climactic work of the Shadowdance series – which, strangely enough, are really stand-alone novels masquerading as a series. And I will now say, as I seem to after virtually every Dalglish book, that he’s once more raised the bar, making this reviewer swoon, sway, and cheer with each swing of the sword (or thrust of the dagger).

This time around, we find Haern, fully entrenched in his role as King’s Watcher, being led out of Velderan by a copycat killer in the town of Angelport, miles away from home. This mimic kills seemingly indiscriminately, leaving behind Haern’s old calling card, the bloody, traced eye, one he hasn’t used in years.

Haern, along with Alyssa and Zusa, head south. There are other bad things going on in Angelport – a fight with the elves over the woodlands, the proliferation of a new, powerful drug that is spreading through the streets, and the infighting between the merchant lords, who own the boats, and the lord of the land, who is slowly losing control of everything. Into this mix is thrown the Wraith, Haern’s much-too-talented, unwanted protégé, which pitches everything into a great big smorgasbord of murder, conspiracy, deceit, and political intrigue that brings the city to the brink of war – both with the elves and amongst themselves.

For the first time, Dalglish introduces a plot that is truly mysterious and isn’t concluded until the very end. While all of his books possess tremendous character development – and are usually carried by it – this one actually uses the plot itself, the mystery, to drive the story forward, using the previously stated character development to enhance the story, making the characters come to even more life than they already are. We understand Alyssa’s doubt, Zusa’s anger, Haern’s guilt, because each step of the way we’re shown why they feel what they’re feeling.

And they aren’t the only characters spotlighted here. We’re also reintroduced to Torgar, from way back in book one, who serves as the master of the guard for the Keenans, the Trifect members who reside in Angelport. We also get further insight into Madelyn Keenan’s character, who, let’s just say, is one of my favorites in the whole book, maybe the whole series. We also get inside the head of the Wraith, this mirror of a creation whose goals and actions don’t quite match up.

This is a book filled – and I mean filled – with meaning and thematic exploration. Everything from drug trafficking to environmental preservation to the question of how far is too far when it comes to the use of violence in making the world a better place are explored. Haern, for his part, is left to question his own motivations, to doubt his every action. He’s presented with a man much like himself, one that kills ostensibly at random, with no thought given to whether his victims deserve their fate or not. All of which leads Haern to wonder, what makes me so much better than him?

Because of this fact, there are no true heroes in A Dance of Death. What we cheer for when we read are incomplete people – in other words, fantasy representations of actual, real people experiencing the type of trauma – gang violence, drug dealers, vigilantism – that are found in any city across the world. All of which makes me repeat something I’ve said many times before: David Dalglish is not a fantasy author. He’s an author, period; one whose words would mean just as much if they were set in Chicago or Paris or Los Angeles as they do in Velderan…or Angelport.

The bottom line is this: A Dance of Death is a great, great read, a much more than worthy offering to close out a fantastic series. The characters are great, the story even better, and it has enough twists to make your head spin. We even get to see elves portrayed being not-so-elflike – you know wise and mystical and peaceful and all that – which I absolutely loved. There is heartbreak and anger, betrayal and gut-wrenching decisions, as well as some rather inspired deaths. I heartily recommend it, as I would all of the author’s books, and can honestly say I hope he gives us more of Haern’s story in the future, because there has to be more to tell.

Yeah, this is pretty much the perfect novel. You won’t be disappointed. And if you are, that’s on you, not the work.

If you want to read this fantastic work for yourself, buy them in Ebook format at the following sellers:

Guest Review: The Windup Girl by Paolo Bacigalupi

Today's review comes to you from Jason Letts, author of the Powerless series and The Inevitable Trilogy. I thank him greatly for contributing this review.

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The Windup Girl by Paolo Bacigalupi is a rich dystopian fantasy that seemed to sit perfectly at the intersection of a number of interests near and dear to my heart.

To understand everything going on in this story of power and survival, a reader must have a hand in a number of different pots. In the near future, the world has coalesced around Bangkok as its thriving epicenter. Those familiar with current events will know that Thailand is tagging along with India and China as a surging developing country, and so it’s interesting to think about how it could have not only leapt ahead but flourished while current economic powers decline. Despite an acknowledgement in the end notes that this is not the case, future Bangkok seems an awful lot like present Bangkok, the crazyness of which compelled me to leave it after just one day while traveling the country. Poverty and commotion at the bottom compete with warring government agencies at the top for the prize of which aspect of society is the least stable. It’s a wonder the country managed to peak at all, but apparently they found a way.

Much of this has to do with the growth of genetic manipulation as an industry that both combats and creates a number of futuristic plagues: cibiscosis, blister rust, Nippon (Japanese) genehack weevil. These words complement a textual language that is both challenging to grapple with and sometimes slow to trudge through. Language fans will encounter a handful of Thai and Japanese words, travelers will meet with Thai names and places that must either be looked up or glossed over, science buffs will face some scientific concepts concerning calories and joules that add depth to how society functions, and everyone will have to slog through noticeable typos and errors that occur way too frequently (I read the Kindle version). Altogether, the thick prose always gives you something in the way of color and only occasionally drifts into the realm of over-writing.

Because of plagues that lead to famines that lead to starvation, the creation of new food sources is critical. At the beginning of the story, Anderson, an American businessman operating in Thailand, wants to get his hands on the next big genetic creation.

The story shifts between several points of view, and a lot happens before we finally meet the title character, Emiko, a Japanese “Windup.” The fun for the first quarter of the book was trying to figure out exactly what she is. Where is the line between machine and human? But figuring out what she is occurs simultaneously with severe scrutiny over what she stands for. Emiko is essentially a sex slave, which to a large degree is the purpose of her creation. Maybe it’s just because I lived in Japan for two years, but I think there’s a very special place in the Western consciousness for Japanese women as sexual objects. The author does a good job of linking cultural perspectives to characters, but I found more to resist in the insistence that we feel sorry for her. She is obviously the crux of the story, and her growth constantly comes in conflict with the premises for her creation and behavior. Although I could go along with most of it, I’m sure there’ll be more than a few readers for whom she slides into contradiction or cliché. She is the most problematic part of the story, but if you can buy her (no pun intended) then everything else will work great.

I did have a wonderful time with the story, which was both elaborate and expansive. The characters were interesting. I felt invested in the unfolding plot even though there were still some things that went over my head. I’m satisfied with the ending. Overall, a good reading experience.

Paperback:





Ebook:

Review: Powerless: The Shadowing by Jason Letts

Rating: 4.1 out of 5

“Heroic? The only heroes are the people who happen to get it right when everyone is watching.”

When we talk about heroism, about doing the right thing, are we doing so because it’s honorable or simply to be rewarded for doing something we think to be so? What does it mean when we look inside ourselves and find out we really don’t know who we are, that those we trust are less than trustworthy, that those efforts to gain acceptance through the previously mentioned gallant acts are meaningless? Do we let the pain and suffering define us, or do we rise up against the torrent of doubt and push to define ourselves rather than allow the situations we’ve found ourselves in to define us? And which way is the correct one?

These are some of the core questions asked in “The Shadowing”, the second book of the “Powerless” series by Jason Letts. It is the tale of Mira, the lone girl with no special abilities in a world where every other person has a superpower of one type or another.

This novel begins where the previous book, “The Synthesis”, left off; with the students, fresh off their confrontation with the baddies who attacked Mira’s house, saying goodbye and ready to head off to become “shadows”, or apprentices, in order to further learn to become experts with their powers. (As a side note, I did have a bit of a problem with this method of beginning the story. I felt there should have been at least a month or so gap between events. The way it's written seems a little rushed. Luckily, however, this awkward tone dissipates quickly and the story picks up steam again.) They disperse, heading off to learn their craft and ready themselves to fight in a war that is their mutual destiny.

It is in these training sequences that this particular novel shines. The teachers are all fresh characters, and to see the way the main protagonists – Mira, Aoi, Vern, and Will – change is accomplished with clever plotting and more than a trace of subtlety. The rancher who guides the hotheaded Aoi, for example, is a man of such calm that at times he seems to be a pillar of stone in a raging windstorm. To see his affect on a girl whose temper and angst had previously ruled her life was to witness the birth of a woman from a little girl. It was achieved with sensitivity and respect for the characters, which for a writer is sometimes very hard to do.

But it is the changes that occur within Mira that are the crux (and heart) of this tale. She heads off to find the only individual she thinks can help her – Flip Widget, the author of the science manuals that have guided her life, whose name is both humorous and, as you glance deeper into his character as the story progresses, deeply prophetic.

She is put through trials she barely survives, given information that rocks the core of her world, and in the end discovers a supposed truth about herself that causes her to question her place in the world – which, as for any of us, always comes down to our place within our own families, because when it comes down to it, our families ARE our worlds.

Seeing the change in Mira as this chapter of a much larger tale reaches its climax is heartbreaking. This was a girl of such innocence and drive, and when the innocence is ripped from her, the remaining ambition is driven in murky and sometimes unforgivable directions. And yet we can understand the thoughts that run through her head, the anger she feels, because each and every one of us has been betrayed at some point in our lives. Each of us has felt the slaughter of our self-definition and the desire to lash out at those who’ve wronged us, even if they aren’t around. And by the last page, as Mira is gazing at the sky, crying and wondering whatever she did to deserve the torment forced upon her, we are right there with her; disbelieving, cynical, and, more than anything, sad.

I have to say, for a second installment in a series, this book goes to some unexpectedly dark places. I appreciated it so much. In that way, it’s a step ahead of its predecessor. However, in other ways it lags behind. A sensation of innocence prevailed over everything in the first book, and the dialogue suited that tone. In this one, however, it becomes a bit stilted at times; robotic, almost like reading one of George Lucas’ “Star Wars” scripts. I assume this was because the writer had a difficult time transitioning them from adolescence to young adulthood. It is an awkward transition, and for this reason I am willing to overlook it. Just as the characters are learning about themselves, author Letts is learning about them at the same time. I have a feeling that come the next installment, this issue will have been worked out, and all will flow smoothly. After all, it was simply something I noticed, not a distraction.

One other thing I feel I must mention is the writing style. Once more, this is a book told in third person omniscient. As I’ve stated over and over again, this can be more than a little distracting and maddening, and those who are sticklers for point of view must be forewarned. Now, being that this is my own brain, I can choose to ignore the things that annoy me if I think the story itself is good enough. On the other hand, as a reviewer I have a responsibility to the reader to point out the flaws, and so I will.

Despite this, however, I still loved the book. It’s a wild romp through the treacherous maze of the teenage mind as adulthood lurks right around the corner. It’s about desiring to choose the right path and being able to forgive yourself if you fail to do so. There is pain, there are fleeting moments of joy, and behind it all there’s the growing portent of an evil that will surely swallow these brave young people whole if they don't rise up to the challenges ahead of them.

In all, it’s a book I enjoyed very, very much. I feel adults will get as much out of it as the YA crowd it's written for. I look forward to the next book, and can’t wait to see whether Mira and her friends can overcome the horrors that await them. I have a feeling that the losses will only mount as the series moves onward. In that way, whoever reads this book should cherish those innocent moments that still exist, because in all probability, they aren’t going to last long.

Yes, this books gets a resounding, “Go and buy it!” from this humble reviewer. So do it already!

Plot - 9

Characters - 9

Voice - 7

Execution - 7

Personal Enjoyment – 9

Overall – 41/50 (4.1/5)

Purchase The Shadowing for the Amazon Kindle