Review: The Death of Promises by David Dalglish

Rating: 4.7 out of 5

“To the abyss with it all. I just want to burn stuff.”

For anyone who’s been following this blog, it should be readily apparent that I hold the Half-Orc series by David Dalglish in the highest regard. I love the characters, the darkness, the action, and the passion his work portrays. I read them in quick bursts, usually finishing in less than three days, and this book, “Death of Promises”, the third in the series, was no different.

This novel is a bit of an oddity. We pick up the story shortly after the last one ended, with Qurrah Tun and his batty goddess-girlfriend, Tessanna, off in search of a mythical spellbook he hopes will be able to cure his lover’s fractured mind. He takes hold of the book, only to discover that it is not what it seems; it is not a tome of spells, you see, but the journal of Qurrah’s old master, Velixar. Just like everything else in this book, there are layers upon layers of manipulation and underhanded motives.

The reason I say “oddity” is because the author takes a huge risk here. For the first half of the novel he focuses not on the heroes of the story – the Eschaton, which includes Qurrah’s brother, Harruq – but instead on the antiheroes. He outlines Qurrah’s further descent into madness, reintroduces Velixar, who has risen from the grave yet again, and demonstrates how their combined powers of darkness sweep the land, bringing a vile sort of order to the chaos that surrounds the forgotten realms, where those cursed by the gods now live. It is risky, and also very brave, storytelling. Some might bristle at this development, but I appreciated it. Especially after the emotional end to the last book, it made sense to go in this direction. That one was Harruq’s chance to shine, to show us his depth of caring and forgiveness; this is Qurrah’s opportunity to radiate the darkness he clutches inside him. That juxtaposition is necessary. If this is indeed a redemption story, then we need to see how far down the rabbit hole the villains will go. And let me tell you, they go far.

Come the second half of the novel, all the old particulars are back in force. In fact, the last third of the text is dedicated to a single, huge battle – the invasion of Velderan by the forces gathered by Qurrah, Tessanna, and Velixar. It is an intricately written series of skirmishes and mass combat, and it comes off as both exciting and concise. In fact, in a lot of ways the final battle reminded me of the siege of Helm’s Deep in The Two Towers, if you took away the monotony and uselessness to the overall story arc. This fight means something. It’s harsh and brutal. It encapsulates everything that makes the brothers different, and shows us how much they’ve grown into their distinct personalities since The Weight of Blood opened this world to us all.

As with the rest of the books in the series, author Dalglish presents his themes of choices, both good and bad, love and obsession, and the nature-versus-nurture argument that rages between the brothers and their opposing views of the world. However, in this episode, he introduces another theme, one that I appreciate more than any other: the dangers of religious fanaticism.

Most every character in this book is a fanatic. From Lathaar and Jerico, the paladins of Ashhur, to Velixar and the dark paladins of Karak, there are divergent beliefs that clash with each other around every turn. This, when it all comes down to it, is the reason this war starts in the first place. Kind of a “My God is bigger than Your God” type of bloody argument. It rings true, not only to this fictional world, but to our own, as well. And when you look at the construction of the characters, you can see that the most balanced of them, the ones most comfortable in who they are, are the ones who hold their faith not as a be-all-end-all, but as a leaning post for the thoughts and situations that trouble them. Harruq and the Eschaton are this way – strong in their faith, but open to other viewpoints and understanding of their free will. Qurrah is also this way, though through his descent we can see the fanaticism start to trickle in, which makes him all the more dangerous. And at the end of the day, it is those who are able to harness their different faiths, to meld old and new ways into something positive, that saves the day and offers our heroes at least a glimmer of hope for the future.

Just as with the other books in this series, the writing is pretty much spot on. My only complaint is that one major character – Tessanna’s mirror opposite, the goddess-made-flesh named (appropriately) Mira, is a bit wooden. However, this is remedied by the confrontation between the two of them, where again the subject of faith is explored. It is a beautifully written scene, and makes a character that had been previously uninteresting shine. But what does this have to do with faith, you ask? It seems the goddess Celestia, who created these two, had a plan for them. Their combined power, while locked in conflict, would destroy the inter-dimensional portal Qurrah and Velixar opened, in the hopes of freeing their god Karak from exile. But Mira’s free will, and her unwillingness to die for the cause, changes things. At first glance, it seems as if Mira made a mistake. The portal is still open, and demons are spewing forth into their world. However, on a more philosophical level, it makes perfect sense and could one day lead to the salvation of all their people. The gods are locked in an eternal struggle, constantly using mortals (and immortals) for their own means. It’s a vicious cycle, one proven by the fact that Tessanna and Mira, these “daughters of balance”, are not the first of their kind. They’ve appeared before, whenever the scales tip in either Ashhur or Karak’s favor. It’s manipulative, locking those on the surface into constant discord between contrasting sides of the same coin. But now, that balance has been obliterated. Now, we see that it’s not up to the gods to decide the fate of the world, but the people, themselves. In a place where free will exists, this is the only acceptable way for the conflict to end, and I’m glad to see it’s been done this way.

Yes, folks, “Death of Promises” is a fantastic book. It doesn’t quite reach the heights of “Cost of Betrayal” in certain regards, but is its equal in others, which makes it great, something that should be read. It’s a wham-bang thrill ride that will make you think and feel. The emotional threads are still there, and they still grasp you with their tentacles and pull you in even further.

Just like Qurrah, take a dive in and see how far down the rabbit hole goes. You won’t be disappointed.

Plot - 9

Characters - 9

Voice - 10

Execution - 9

Personal Enjoyment – 10

Overall – 47/50 (4.7/5)

Purchase "The Death of Promises" in:

Paperback

or

Amazon Kindle Format

Review: The Weight of Blood by David Dalglish

Rating: 4.5 out of 5

What would you get if you turned Fritz Leiber’s Fafhrd and the Gray Mouser into a pair of half-orc brothers, gave them severe inferiority complexes, moral ambiguity, and massive tempers, and then threw in a powerful religious zealot who sways them closer to the dark side than any individual should ever be comfortable with?

Why, you’d have “The Weight of Blood” by David Dalglish.

“The Weight of Blood” is an extremely dark fairy tale that tells the story of those aforementioned half-orc brothers, Qurrah and Harruq Tun. As far as main characters go, I don’t think I’ve ever seen their likeness. Sold separately into slavery by their orc mother early on in life, they eventually escaped and found each other again, only to grow up without guidance on the streets of a town called Veldaren, scavenging for food and learning that sometimes in life, when you come from nothing, it’s better to kill than be killed. Qurrah is a spindly and coldly intelligent sort whose greatest passion is to become a powerful sorcerer. Harruq, on the other hand, is a large-bodied and (sometimes) kind-hearted oaf who exists seemingly only to protect his physically weaker brother. The dialogue between the two borders on hilarious in the early going, when they’re still nothing but vagrants. But there is something darker in them, mostly in regards to Qurrah, which begging to be released. They are archetypal antiheroes, existing on the periphery of a society that wants no part of them.

The story starts off with a bang, dropping us in on the brothers as an army of orcs attempts to invade Veldaren. It is here that we first meet Velixar, a necromancer and master of the dark arts, who eventually takes the brothers under his wing. Through Velixar, we also are presented with a sizeable chunk of the world Dalglish has created, which is notable if for no other reason than it gives the reader a frame of reference to draw upon further down the road.

The novel is chock full of intense and extremely graphic battle scenes. It would be easy to get lost in the action if these scenes weren’t expertly crafted, which they are. The actions the brothers take from the onset vary from miscreant to downright evil. They butcher women, children, whole families, mostly without batting an eyelash. Even when one of them seemingly finds love, through the appearance of a beautiful sorcerer elf named Aurelia, this does little to stifle the loathsome behavior. Qurrah and Harruq appear to be brutes, ostensibly without a soul, and they act as such.

That statement is not quite true, however, and herein lays the brilliance of the world author Dalglish has created. This is a story of their fall and hopefully redemption, though as a series, once we reach the end it is still in the early stages. But the hope is there that these two will find their way. We get to see inside the brothers’ heads, and what we find there, though disturbing, allows us to feel a glimmer of gallantry. They are capable of love – this much is evident by the way they feel about each other – and any being who can experience that emotion in its fullest and most vulnerable can eventually learn to harness that inner goodness. All they ever needed was guidance, something that was denied them through unfortunate circumstances beyond their control.

And this is where we come to the crux of the fable that the author is telling us. In many ways, the brothers’ situation mirrors events we see all the time in the “real world”. They have nothing, they are starving and ostracized. Everyone looks down on them. They wander through life without a purpose save staying alive. When one looks at it like this, is it any wonder that when a stranger approaches the destitute pair and offers them a life that has meaning they leap for it? They who have nothing are promised the world. They who’ve been looked at as the lowest of the low are told they will be worshiped as gods. They who have had to scrape and claw are given gifts of such power that they become death incarnate. When viewed from this vantage point, can we not understand, even sympathize, with the plight Qurrah and Harruq have been forced to deal with? If we, as civilized humans, were put in the same situation, would our morality not begin to wither and die after a while? This rings true with what happens every day in certain parts of the world. It is almost the very blueprint for terrorist recruitment. And at the end of the day, that is what the brothers become. Terrorists. They target not only the enemy but the young and innocent. They strike from the shadows, seeking to assist a greater agenda that they either don’t or can’t understand.

This is a very dark book, so take that as a warning. If you don’t like the images of flayed arms and legs, decapitation, or bodies reduced to quivering masses of blood and innards, stay far away. However, if you appreciate a well-told story that pulls you into its world and won’t let you back out, this is the novel for you. It is unrelenting and fast-paced. It makes you care about the characters, no matter what bad deeds they may perform. And, best of all, it allows you to feel hope that the characters will turn it all around, and through something as simple as an act of kindness.

In short, I loved “The Weight of Blood”. The title says it all. It’s about the inherent price of violence, the duty of family, and the pressure to do what’s right. I would definitely recommend it. As far as fantasy goes, I feel you’d be hard pressed to find one that equals its scope and passion. I, for one, can’t wait to get pulled into the next volume.

Click the links below to purchase the book on Amazon in

Paperback or

Kindle format

Plot - 10

Characters - 10

Voice - 7

Execution - 8

Personal Enjoyment - 10

Overall - 45/50 (4.5/5)