Showing posts with label suspense. Show all posts
Showing posts with label suspense. Show all posts

Wednesday, November 9, 2011

Review: Suspense (Spencer Nye Trilogy Book 1) by Jason Letts

Rating: 4.7 out of 5


In certain ways, Facebook has become an integral part of my life. I spend way too much time on it, conversing with friends, making connections, sometimes simply passing the time. It’s become a useful tool, but also a slightly frightening one. If you were to think about how connected everyone is through these bits of data flowing invisibly all around us, it would be very easy to come up with a nightmare scenario where we not only use programs like this as a tool, but they become necessary to continue our way of life, a world where without social networking, the whole of society would be lost.


Jason Letts took this scenario, fleshed it out, and in a flash of unique and original storytelling created Suspense, the first book in his Spencer Nye Trilogy. To say I was impressed with what he came up with would be a grand understatement.


Suspense centers around the exploits of the girl for whom the series is named, Spencer Nye herself. She is a gritty character, full of anger and distrust. She is also a diehard, one who will do anything – even kill – to protect and defend the image and life of her Idol.


What is this all about, you ask? Diehards? Idols? Well it seems that in Letts’s brilliant new universe, the general world populace uses a program called Connect – the most powerful social media ever invented, accessed through nodes implanted into peoples’ skulls – to, well, keep themselves connected. They float through life only half-existing in the real world, spending the rest of the time immersed in the data that flashes in front of their eyes, reading up on the latest trends, what their friends are up to, or just perusing. I found it to be a quite disturbing visual the first time I read a scene depicting this, representative of a world where the flesh is at times looked at as a hindrance.


A good chunk of society also uses Connect to keep up with their Idols – basically folks who’ve gained so much popularity, so many followers, that they’ve become, in a certain sense, godlike. All six of the Idols live in a fortress on a hidden tropical island, to keep them safe. And the animosity between the diehards for each of them is frightening. They’re constantly at war, constantly killing each other, with the end game being to elevate their Idol to an even higher level. It’s a scary thought.


The specifics of the society the author created are interesting, even beyond the whole social networking angle. There is no more industry, as anything anyone would ever need is created simply by pressing a button on something called a molecular synthesizer. There is no more crime – other than diehard-on-diehard violence – as why in the world would you have to steal if it everyone had everything they wanted and money no longer existed? And people get around by using terminals that transport them from place to place in the blink of an eye, simply by pushing numbers into a keypad.


In a lot of ways you could look at this and think, that’s not so bad. On the surface, this society is bordering on a utopia, but with the loss of personal freedom that comes with everyone knowing what’s on your mind at all times, and the amount of fanaticism the Idols create, it steers in the opposite direction and becomes pure dystopia. With a lack of purpose, a lack of direction, it leads folks to act irrationally, to search for meaning in a world that, in truth, means absolutely nothing.


The story itself is an adventure, as Spencer and her friends, a cyborg named Jetta and a programmer named Patch, seemingly uncover a plan to take out the Idols – including theirs, the actor Cleary Mintz. This leads to a great many action sequences and a rather ingenious plan, thought up by the three friends, to turn Spencer, herself, into an Idol and fix the situation from the inside.


What follows is a great amount of intrigue and a further exploration into how this whole world started in the first place. There is mystery, paranoia, and a hint that the direction society has taken was orchestrated by something wholly not of this world. And in the middle of all this is Spencer, the unstable teenager whose only desire has ever been for her life to have meaning.


This is a very good book, folks. Suspense is resourceful and technical, a mix of science fiction and dystopian fiction with a truly original premise. Though written for a young adult crowd, it’s definitely been created for an older audience. There are scenes of violence, confusion, and at one point a rather inspired scenario of sexual exploration while not in one’s own body, experiencing the sensations from the opposite viewpoint. The book is obviously not perfect – what book is? – but it’s more than worthy of your time and energy. In fact, I’ll go a step further to say this particular work of fiction may be important, as well. It allows us to look at our own actions, how much time we spend on the internet “connecting” with people while ignoring those who are standing right beside us, and urges us to find balance.


It’s a difficult tightrope to walk, and the author shows us what might happen if we fall off. Brilliant.


Purchase Suspense in Ebook format from the following sellers:










Wednesday, September 7, 2011

BOOK RELEASE: Suspense (The Spencer Nye Trilogy, Book 1) by Jason Letts


SUSPENSE
THE SPENCER NYE TRILOGY BOOK 1

by Jason Letts

$2.99 at Amazon
$2.99 at Barnes & Noble


-------------------------------

PRODUCT DESCRIPTION


Spencer Nye can’t control the rage bubbling under her skin over the world around her. The trouble is, by the year 2102, the world has solved most of its great problems. Without hunger, war, greed, or even money, people obsess over the glamour of the Culture Industry and its mega-celebrity Idols, who vie for followers over the social networks of Connect.

But Spencer discovers there is plenty to fix within the Idols’ competition for more popularity. She becomes a diehard and promises to do anything to help her Idol, a dreamy movie star named Cleary Mintz, bring his vision of hope and purpose to the world. When she stumbles onto a threat against his life, she’ll have to fight harder than she ever thought possible or lose the man who means more to her than any other.

Suspense, the first book in a dystopian trilogy, contains 76,000 words and is recommended for ages 16 and up because of depictions of violence and some sexual themes.

SPECIAL RELEASE CONTEST

SPONSORED BY THE AUTHOR

http://www.facebook.com/authorjasonletts

From the author:

Suspense Book Release Giveaway!

Coming out with the first book in a new series is always exciting, but I doubt I've ever been as excited about a book release as I am for Suspense, book 1 of The Spencer Nye Trilogy. To see if I can get your enthusiasm up, I'm announcing some big prizes for its early and observant readers. All you have to do is read the book and send an email to me with the answers to four little questions to be entered. Then you'll be in the running for the following goodies.

Grand Prize: Your choice of either a Kindle Wifi with Special Offers + a custom Suspense Gelaskin OR a Nook Touch + a custom Suspense Gelaskin

First Prize: A custom Suspense Gelaskin + a signed paperback copy of Suspense

Second Prize: A signed paperback copy of Suspense

Rules and Deadline: To be entered in the grand prize drawings, participants must send me an email at infinitejuly (at) gmail (dot) com with the correct answers to four questions about the book. These questions will appear here on the day that Suspense is released around September 9th, and the contest will run for one month until October 9th (my birthday!) when winners will be drawn. Only U.S. residents can win the Grand Prize, but the First and Second prizes can be awarded internationally. I hope you enjoy the story, and thank you for reading!

—Jason

(Visit the author's Facebook page, linked above, for questions and full details)


FROM THE JOURNAL

My own review of this book should appear before the last week of September, right here on the Journal. To say I'm excited to dive into this would be an understatement. I've been a fan of Jason's work from the beginning, and it will be great to see his writing continue to grow. Even without having read the book yet, I highly recommend.

Tuesday, July 5, 2011

Review: Freeze by Daniel Pyle

Rating: 4.8 out of 5


I usually start out these reviews with a bit of exposition about select themes I find within a given book, but this time I’d like to focus on something that is, in itself, a part of writing.


Voice.


Some writers know theirs. Some don’t. With the best authors, you know who they are from the moment you read the first sentence. It’s a comforting, and important, trait to have. King has it. Robbins has it. Layman and Lovecraft had it. Hemingway had it in spades, as did Fitzgerald.


And so does Daniel Pyle.


From the second I picked up Freeze, this author’s new novella, I was immediately sucked in. I felt the same exact way I did when I opened Down the Drain and Dismember, previous works by Pyle – like I was about to be taken on one massive, wildly-swinging ride of terror. Needless to say, I wasn’t disappointed.


Freeze is the story of Warren and Tess, an older couple living high in the mountains with their dog during the snowstorm of the century. There are strange goings-on about the house after the power goes out, adding to the feeling that this isn’t your garden-variety blizzard. A window breaks, showering Tess with glass. There are strange sounds outside. The family car has been seemingly vandalized. And all the while the cold and isolation creep in on this tight little family, until finally, after an emergency, Warren is forced to try and brave his way down the mountain in search of help. Little does he know, there are strange beings waiting for him out in the frigid wilderness, creatures that would love nothing more than to tear him apart.


The plot is very basic – couple trapped, flees from monsters, fights monsters, encounter terrors they never thought imaginable. However, it’s the way the story is constructed – the voice I spoke of earlier – that makes this such an entertaining and unrelenting read.


Pyle does something very interesting here, and it’s a way of constructing a story that I appreciated to no end. He makes the setting, the weather, the storm and cold, as important a character as Tess, Warren, Bub, or the strange creatures outside. I read this book outside, sitting in ninety-degree heat, and on more than one occasion I found myself shivering. That, my friends, takes copious amounts of talent. The seclusion of Pyle’s words wraps around you, the wind blows inside your ears, and you can’t help but empathize with what these poor characters are going through. In effect, we are placed directly in their shoes, made to feel their fear, anger, and desperation.


In many ways, this book reads like an episode of The Twilight Zone with a little Tales from the Darkside mixed in for good measure. Nothing is explained, the ending is open to the reader’s imagination. All we’re left with are the sensations involved. It’s like being plunked in the middle of a nightmare scenario and forced to fend for ourselves, which is refreshing, and also common with Pyle. Just as in Down the Drain, there isn’t page after page of details about the nature of the monsters. They’re there, they’re frightening, and that’s all you need to know. Is that enough? It damn well should be.


There is only one aspect of the writing that I didn’t like, and it’s the single issue keeping it from receiving a perfect score. On more than one occasion, the internal dialogue of the characters’ seemed to be too much for the given situation. There were a couple examples of ill-timed, ironic thoughts that I, personally, don’t think would go through the mind of someone experiencing that kind of terror. It slowed the momentum for me a bit when this occurred, but thankfully this only happened a few times, five at most. I can forgive an author for trying too hard sometimes, and that’s what those little snippets felt like to me. And it could also just have been my mood at the time, so my point dockage is very small.


In conclusion, Freeze is a gem of a short novel that will leave you panting by the end. It’s the perfect creature feature, hitting all the right emotional notes, making you care, cringe, and rattle your teeth at the same time. And once you finish, you’ll never be able to hear a scratch at your window on a cold winter night and pass it off as nothing again. There will always be that nibble of panic in the back of your mind that says, but what if…


Which is the type of effect that all horror – hell, all fiction – should aim to accomplish.


So congrats to Daniel Pyle, because he’s created something wonderful.


Plot - 10

Characters - 10

Voice - 10

Execution - 8

Personal Enjoyment – 10


Overall – 48/50 (4.8/5)


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Wednesday, May 11, 2011

Review: Dismember by Daniel Pyle

Rating: 5 out of 5

Last year, the offer was put out to me to review books for Shock Totem Magazine. Of course I gladly accepted, and immediately went out looking for material.


I didn’t have to look far. I’d reviewed Down the Drain, the fantastic novelette by Daniel Pyle, here in the Journal, and, knowing that he had a full-length novel out, I took a chance and requested a copy of Dismember from the author.

I am so glad I did.


Dismember is a special book, an oddity in the most wondrous of ways. It’s odd because it bucks the trend of “horror” without losing its niche in the genre, for horror isn’t always about slime-drenched creatures (or bathtub monsters) leaping out and torturing the innocent. No, when horror is done properly it deals with the more important issues, those that keep us commonfolk firmly entrenched in our lives, everything from family to death to the loss of personal freedom. When this happens, as it does in Dismember, the terrors on the page grab hold of you and cause your heart to skip, not because something might jump out of the darkness, but because it lets you know just how thin the thread separating life and death really is.


Dismember is a brisk, almost meditative story of purity corrupted. The tale takes us on the twenty-three year journey of Dave Abbott, the only survivor of a terrible car accident that occurred while traveling with his family in the Colorado Mountains when he was seven years old.


Davy has lived a life of seclusion and fear since that day, trapped in a rickety old house by a twisted mountain man who is only called Mr. Boots. Very few details of Davy’s captivity are explained in the book, but you get the impression that Mr. Boots performed certain illicit acts on little Davy that society would most certainly not condone. I appreciated the lack of exposition in this regard, because I haven’t the desire (or stomach) to read the particulars of child abuse, be that abuse of a sexual nature (which the text suggests) or not. In fact, these circumstances are handled with style, using cursory hints dispersed through the story in flashbacks, which stick with you simply because of what we are not shown, for what our minds create to fill in the blanks is almost always more disturbing than overdone exposition.


The story picks up with Davy on his thirtieth birthday. It seems all those years in captivity haven’t done wonders for poor Davy’s sanity, because he’s hatched a plan to reassemble his dead family through any means necessary. Once this re-gathering begins, Pyle tells his story through five points of view: an eleven-year-old boy named Zach, Mike and Libby Pullman, a divorced couple trying to retain a sense of the familiar after the dissolution of their marriage, Trevor, the Pullman’s son, and Davy, himself.


Of all the different emotional threads in this novel, I found the interplay between the Pullmans to be the most fascinating. At last we’re given a divorced couple who show each other respect instead of filling the air between them with venom and petty discord. Sure, you can tell right off the bat why their marriage failed, but to them raising Trevor, their son, the correct way is paramount. Neither would ever even think of using their child’s adoration as a manipulative tool against the other, which is refreshing…and unusual in a usually cliché-riddled genre.


Despite this aspect of the plot, the driving theme of the entire book is the death and disfigurement of innocence. In a brilliant sliver of storytelling, the author contrasts Davy’s childhood terrors with the stresses he inflicts on Zach and Trevor after he abducts them. This phase of the novel reinforces Davy as a sympathetic scoundrel. On many occasions I found myself openly rooting for him to realize that what he was doing was wrong, because I realized that his state of mind wasn’t his fault. This is a guy who grew up segregated from society, under the watchful eye of a cruel guardian. His only education was through pain, and his only joyful memories are those that he experienced before he was seven years old, leaving a stunted and incomplete person. Even with the amount and degree of brutality he enacts on people, he demonstrates a massive capacity for love and thoughtfulness that actually makes his cruelty seem all the more brutal, for this is a man with psychological arrested development, and it isn’t his fault.


The differing points of view in this book were beautifully executed. The shift between the children and adults were convincing and real-to-life – the kids were kids, and the adults were sufficiently imperfect. The blood and gore is there, and it is vicious, but it doesn’t overwhelm, instead pulling you even further into the story and making your gut clench as you experience these frights alongside the characters. And the ending is a thing of beauty, as well. I was stunned by what happens, not necessarily because it’s laughable or frightening, but because it’s haunting in its unexpectedness (and simplicity). I won’t go into details, but let’s just say Daniel Pyle is a very brave man to end this book the way he did, for I’m sure there are some out there who won’t appreciate it.


This reviewer, however, thought it was brilliant.


To finish things off, I’ll say that Dismember is an unbelievably good book. It reads quickly, as I constantly wanted to flip the page just to see what happens next. It’s a story about life that centers on the mundane and how much we might overlook those simple pleasures given the freedom we’ve been blessed with. It’s a tale of the fractured soul and how much we rely on, and mimic, the family that sprouted us. But most of all it’s simply one hell of a ride, one that I am so glad I took. And for that, this reviewer must give Daniel Pyle some well-deserved congratulations on receiving only the fourth perfect score I’ve ever handed out.


Plot - 10

Characters - 10

Voice - 10

Execution - 10

Personal Enjoyment – 10


Overall – 50/50 (5/5)


(Reviewer’s note: A version of this review appears in Shock Totem #3)


Purchase Dismember in the following formats:

Paperback








Ebook





Monday, October 18, 2010

Review: Hollowland by Amanda Hocking


Rating: 4.8 out of 5


I love horror. In the past, I would read nothing but. It encapsulated my every reading and viewing experience for years. There was just something about how much these works, when done well, could be so emotionally and intellectually viable, that made them so appealing.


In this regard, I’ve only had one complaint – the dearth of female contributors to the genre. Truth be told, I adore the feminine perspective, but their presence has been lacking. Sure, we have Anne Rice, but she hasn’t written anything that’s appealed to me since Memnoch the Devil. And then we have Stephanie Meyer…but to put her works of paranormal teenage lust under the horror umbrella is severely misguided. And that’s about it.


But then recently I discovered Amanda Hocking, and I think I’m in love.


Now, most of Hocking’s books definitely fall into the paranormal romance/young adult category, which doesn’t necessarily interest me. However, I received her newest novel, Hollowland, as a review copy, and I have to tell you…this is horror done just about perfectly.


Hollowland is the story of Remy, a nineteen-year-old survivor of the zombie apocalypse. The novel throws you right into the action; at the beginning, the quarantine she is living in (somewhere in the Nevada desert) falls under attack by the hungry undead. She escapes, along with a thirteen-year-old girl named Harlow. Remy’s younger brother Max, who also lived there, had been evacuated when the invasion began. Remy, as his only surviving family member, takes it upon herself to find him once more.


Just as with most apocalyptic novels, this one is a journey. Remy and Harlow head north, in search of Max. Along the way they meet up with Blue, a not-quite-doctor, and Lazlo, a young man who’d been in one of those pop-punk bands (think Blink-182) before the world they all knew collapsed into man-eating madness. Remy also, in one of the quirkier aspects of the book, discovers a lioness hooked up to a trailer. Remy saves the lion and it becomes another travel companion – one that is, since animals are immune to the virus that has destroyed modern civilization, indispensible when it comes to helping her small pride survive the various attacks that occur.


So this odd group heads north, encounters zombies, fights zombies, gain new travel companions, watch some of those new companions die, and eventually reach the quarantine. And that’s about it for the plot. It’s basic, as far as zombie tale goes. But that’s not what I found so likeable about it.


The characters are brilliant – Remy in particular. She’s morose and unfriendly, an individual who’s bound to her duty and responsibility, and who’s also been understandably tainted by her experiences following the end of the world. She carries herself with a quiet strength that is beautiful and haunting at the same time. Harlow, her companion, is still young and often a bit more sensible than her protector. She is prone to outbursts of immaturity, and she holds a longing for some sort of normality that causes her to perhaps look past certain aspects of the people they meet, aspects that could prove dangerous, in the anticipation they could perhaps give her a safer, less hectic existence. Combine the two of them, and a somewhat depressing theme washes over the words that I find rare when considering the subgenre of apocalyptic zombie fiction. These are no more than children we have here, and the text doesn’t lose sight of the fact that they’ve lost their childhoods. In fact, this is in some ways the main point – that the girls are girls and they (especially Remy) lament the fact they’ve had to become women quickly. As I said, this is something I appreciate, a practical facet of storytelling that many who’ve written end-of-the-world tales (this side of McCarthy) tend to ignore.


And this is only one of the many themes presented within. Just as with the best horror, the monsters are simply part of the story, and the true moral is told with them as a backdrop. In fact, often it is the people, themselves, who are the real monsters. From the messianic zealot they meet (aptly named Korech, meaningful for those of you who remember Waco, Texas) to the violent marauders that populate one of the towns they come across, it ends up being regular old un-infected humans who beget some of the worst malevolence found within. And when you combine these ill-meaning actions with the sometimes selfish actions of Remy and her crew, you can see how those shades of gray filter into the characters, making every decision difficult. This adds to the hard-line feel that Remy, in particular, encapsulates. She is a woman on a mission, after all. How much of herself is she willing to sacrifice?

The answer, come the end of the book, is everything. And it’s beautiful.


I found very few flaws with this novel. It’s told in first-person, which isn’t my favorite viewpoint (though I have used it in the past, myself), but for this it works. It allows us to see the world through Remy’s jaded eyes, to feel her dissatisfaction and doubt, to understand how much she simply wants to be the teenager she is. In fact, come the final pages, it is only through her giving in to her humanity, when she finally allows herself to live rather than simply survive, that she is able to follow through with the hardest choice she’s made in her life. In that moment I cried out for her, wishing I could dive into the page and change her mind.


Hollowland is a fast read. I completed it in about four hours of engrossed reading. It’s simple in structure but complex in emotion. Author Hocking doesn’t shy away from gore (it’s there in abundance, of course, being a book about dead folks that eat people), but the violence of the piece doesn’t overwhelm the reader. It has everything a horror novel should have, and is entirely captivating. In other words, Hollowland is a rare treat, like a fine wine we know we should savor but can’t help consuming at a rapid pace because, well, it’s just so good. Hollowland might not redefine the genre, but it just may change the fact that women have been so sparse. This is something I hope to happen, because, well, it needs to.


Amanda Hocking is a master storyteller. She knows how to reel in her reader and keep them glued to her words. Anyone who has any interest at all in reading a well-told story needs to read this. It’s fantastic, horrific, and strangely beautiful. Once you reach the open ending, you’ll hope the writer decides to continue with Remy’s tale, because you’ll want to see these wonderfully fleshed-out characters carry out their journey to its conclusion.


Plot - 10

Characters - 10

Voice - 10

Execution - 8

Personal Enjoyment – 10


Overall – 48/50 (4.8/5)


Purchase Hollowland in the Kindle Store, or in paperback.