Review: The Submersion: Powerless Book 4 by Jason Letts

Rating: 3.7 out of 5

I’ve been following Jason Letts’s Powerless series from the very beginning, when we were first introduced to Mira, the girl with no special talents in a world where the rest of the population is graced with super powers. I immediately found it a thoroughly entertaining and innocent ride, one that carried with it that sense of wonder and purity until the end of book 2 and into book 3, where events grew exponentially darker by the page.

So here we are at book four, The Submersion, one episode away from the climactic moments, and while there is still a lot of darkness, a bit of that purity has been retrieved.

The Submersion begins a short time after The Stasis ends. Mira, Vern, Chucky, and Aoi are sequestered in one Sunfighter labor camp while Will, Mary, and another character (who will go unnamed because I was shocked to see them and it would be a spoiler) are in another. They struggle through each day in quite depressing and depraved conditions, trying to keep their spirits up in a world that is trying to destroy them inch by painful inch.

This small band of survivors from Corey Outpost, the only ones who know how to offset the Warlord’s sway, are in constant peril. Their fellow townsfolk, those who’d been their friends and neighbors up until one book ago, have turned against them. Even Kevin and Jeana, Mira’s parents, are opposed to them, which helps to heighten the feeling of dismay. These two, through the first three books, were always points of light in an increasingly dark story; now that they’ve succumbed to the poisonous influence of the Warlord, their actions and words drip with venom. It makes for rather depressing reading, and this reviewer in particular wanted to bash them over the head just so I wouldn’t have to be reminded just how far the tone of the series has fallen.

The main plot of The Submersion has to do with the Sunfighters’ quest to build a giant ark, so the Warlord can sail across the nameless sea and bring his influence to those who might lurk on opposite shores. It also deals with the survival instincts of our young heroes, how they deal with day-to-day pain and attempt to foil the plans of the evil ones before it’s too late.

Now, I did enjoy the book. It has everything I’ve loved about the series from the start, from the characters constantly growing as individuals to the undercurrent of mystery surrounding why these people have been blessed with powers in the first place. Aoi, the strong girl who can absorb energy, and Chucky, the young man who sweats oil, in particular, have seen vast amounts of growth, to the point where they are the two best characters in the book, outshining even Mira.

I also enjoyed the darker elements, the ways the Sunfighters torture Mira and friends. It’s sadistic and cruel, and helps bring about an aura of hopelessness. And when the innocence begins to return, in the form of a birth that demonstrates the cyclical nature of life in all its wonder (and acts as a metaphor for always holding those who’ve passed close to your heart), I started to really get invested. I was so excited by what transpires afterward that I felt I should’ve been jumping for joy by the end of the book.

But I wasn’t…at least not completely. This is where we start to run into some of my problems with the narrative. While dialogue has never been a strength of this series, it’s often been easy to overlook. But in this instance, the clunkiness of the speaking parts tended to distract me from the story. There were also a couple instances of individuals acting completely out of character, seemingly just to ratchet up the tension, that didn’t strike me as authentic. And there were also certain aspects of the plan Mira comes up with that stifled me, being that they were over-explained and dwelled upon for much too long, especially in the planning process.

That being said, the beginning and climax worked wonderfully. It’s almost as if Letts was bored with the middle and simply trudged along, which is completely understandable in any series. But when it picks up its pace…man, does it pick up. The culmination of everything that happens leading up to said climax is wonderfully written, thrilling, and rang true with the tone of the series.

If only the whole book, like The Stasis, could’ve been like that.

That being said, The Submersion, while imperfect, is a necessary chapter in the long tale of Mira and her quest for self-discovery. Much of the time it hits the right notes, and I can sincerely say that the themes of friendship, family, perseverance, and the stalwartness of clinging on to hope are seriously important for any teen to come to understand, especially in this progressively me-first society. So pick it up, ingest the message, and look forward to the conclusion, because the way it’s set up promises that the next installment will be epic.

Plot - 8

Characters - 8

Voice - 8

Execution - 6

Personal Enjoyment – 7

Overall – 37/50 (3.7/5)

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Guest Review: The Windup Girl by Paolo Bacigalupi

Today's review comes to you from Jason Letts, author of the Powerless series and The Inevitable Trilogy. I thank him greatly for contributing this review.

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The Windup Girl by Paolo Bacigalupi is a rich dystopian fantasy that seemed to sit perfectly at the intersection of a number of interests near and dear to my heart.

To understand everything going on in this story of power and survival, a reader must have a hand in a number of different pots. In the near future, the world has coalesced around Bangkok as its thriving epicenter. Those familiar with current events will know that Thailand is tagging along with India and China as a surging developing country, and so it’s interesting to think about how it could have not only leapt ahead but flourished while current economic powers decline. Despite an acknowledgement in the end notes that this is not the case, future Bangkok seems an awful lot like present Bangkok, the crazyness of which compelled me to leave it after just one day while traveling the country. Poverty and commotion at the bottom compete with warring government agencies at the top for the prize of which aspect of society is the least stable. It’s a wonder the country managed to peak at all, but apparently they found a way.

Much of this has to do with the growth of genetic manipulation as an industry that both combats and creates a number of futuristic plagues: cibiscosis, blister rust, Nippon (Japanese) genehack weevil. These words complement a textual language that is both challenging to grapple with and sometimes slow to trudge through. Language fans will encounter a handful of Thai and Japanese words, travelers will meet with Thai names and places that must either be looked up or glossed over, science buffs will face some scientific concepts concerning calories and joules that add depth to how society functions, and everyone will have to slog through noticeable typos and errors that occur way too frequently (I read the Kindle version). Altogether, the thick prose always gives you something in the way of color and only occasionally drifts into the realm of over-writing.

Because of plagues that lead to famines that lead to starvation, the creation of new food sources is critical. At the beginning of the story, Anderson, an American businessman operating in Thailand, wants to get his hands on the next big genetic creation.

The story shifts between several points of view, and a lot happens before we finally meet the title character, Emiko, a Japanese “Windup.” The fun for the first quarter of the book was trying to figure out exactly what she is. Where is the line between machine and human? But figuring out what she is occurs simultaneously with severe scrutiny over what she stands for. Emiko is essentially a sex slave, which to a large degree is the purpose of her creation. Maybe it’s just because I lived in Japan for two years, but I think there’s a very special place in the Western consciousness for Japanese women as sexual objects. The author does a good job of linking cultural perspectives to characters, but I found more to resist in the insistence that we feel sorry for her. She is obviously the crux of the story, and her growth constantly comes in conflict with the premises for her creation and behavior. Although I could go along with most of it, I’m sure there’ll be more than a few readers for whom she slides into contradiction or cliché. She is the most problematic part of the story, but if you can buy her (no pun intended) then everything else will work great.

I did have a wonderful time with the story, which was both elaborate and expansive. The characters were interesting. I felt invested in the unfolding plot even though there were still some things that went over my head. I’m satisfied with the ending. Overall, a good reading experience.

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Review: The Stasis: Powerless Book 3 by Jason Letts

Rating: 4.6 out of 5

Growing up. It’s hard. It sucks. Our heroes are revealed to be mortal and flawed, our presumptions about the world are constantly proven untrue, and the evils that surround us, which we’ve been gleefully naïve of in our younger days, slowly trickle into our consciousness, threatening to crush our spirit. Often, when I look back on this myself, I wonder how I was able to keep a positive outlook on life. But the thing is, that positive outlook was learned. It came from realizing that I didn’t really want to dwell on the bad, that I wanted to appreciate what I had, the people who loved me, while they’re still here.

That, in a nutshell, describes the atmosphere of The Stasis, the third of the Powerless series by Jason Letts.

As with book two, the story picks up where the previous volume left off, with Mira, the powerless girl in a world where everyone else has superpowers, leading her fellow students from Dustfalls Academy into the war after her failure to win the Rite at Shadow Mountain.

In book two, Mira learns her rather sordid history (which I will not disclose here for fear of a major spoiler for those who haven’t read it), and in The Stasis her emotional deconstructions is complete. Whereas she was once full of wonder and innocence, she now carries herself with a coldly logical hardness that is difficult to see from a character that’d once been so glowing. But it makes sense; her definition of self has been stripped away, leaving behind a skeleton of her former life that she’s ill equipped to reconstruct. So she does what people do when they’ve been abandoned by hope – she latches onto an ideal (to free her sister from the clutches of the army her people are fighting against) and pushes tirelessly and fearlessly for that goal, all else be damned.

Along the way she alienates her friends, becomes involved in a great many battles, and gets wounded (physically as well as emotionally). From there, the meat of the story deals with Mira trying to rediscover the love and purity she’s lost.

This is a very dark book, especially for something in the young adult genre. Quite a few characters are killed off (thousands, actually, if you count all the soldiers fighting in the war), and those that do survive are stricken with such difficult circumstances that their guilt threatens to overcome them. You have to remember that these are sixteen-year-old kids the author has written about here, and they’ve been asked to risk their lives for what amounts to opposing principles they haven’t the maturity to grasp. The senior officers of the army treat them like fodder and are willing to sacrifice them at a moment’s notice to simply prove a point, which brings to mind some very real circumstances that have occurred in our own military during the last ten years or so.

And yet these kids do fight, they do push themselves to the limit, and that aspect of the storyline owes itself to simple survival. When the chips are down and you don’t understand what everyone’s fighting for in the first place, it’s your own life and the lives or your friends that end up mattering more than anything. I couldn’t help but think of World War II and the stories my grandfather has told me of the young people in his platoon stepping up when their superiors went down and all seemed lost. Like the characters in The Stasis, my grandfather fought to keep his friends alive. In that way, this book acts as homage to the stories of these wars past and the grand sacrifices much-too-young individuals had to make during battle, when death surrounded and threatened to swallow them whether or not they stayed on their toes.

Speaking of battle scenes, The Stasis has a few of them, and they’re all pretty grand in scale. They’re confusing to read, what with so many different people having so many different powers that affect their surroundings in so many different ways. This could be looked at as a drawback, but I ended up appreciating the execution. When I found myself being confounded by what was going on, I put myself in the characters’ shoes; if it was difficult for me, the reader, to follow, how must it be for those involved? Reading them actually made me tense, which in books usually only happens during overly emotional scenes.

With all of this violence and the overarching spiral into different facets of the social unrest that started this war, it would’ve been easy for poignant characterization to fall by the wayside. However, the opposite happens. Even with the confusing mess of fighting, the characters actually come more alive, gain more depth, prove more of their usefulness as metaphorical vehicles. Each individual grows and demonstrates just how pure of heart and mind they are, even those that make irrevocably bad decisions. I applaud Letts for this, because he definitely didn’t take the easy way out.

I had very few problems with this book. At times I found the dialogue stilted and robotic, and still the head-hopping persists, but I’ve come to simply accept these as a part of the series’ voice. I’ll no longer dock points for it, considering that if you’re here reading this review it most likely means you’ve already read the first two books. It’s still a wonderful and emotional read, one that I’m growing to appreciate more and more with each installment.

Before I end this review, there’s one last thing I want to mention. With all the death, destruction, and ominous foreboding in this book, there is one particular scene towards the end that jumps out. Letts does something I didn’t expect – he takes these characters that he’s lead through the ringer and allows them to once more rediscover their youthful innocence, if only for a fleeting few moments. I was taken aback and made to feel rather morose. Again I thought of my grandfather, eighteen years old and trapped behind enemy lines. Did he take the time to engage in a games and laughter in the down times, those moments when the fear of imminent death took a much-needed breather? If so, did it help steel him against what was surely to come next? It seems like such a depressing state to find oneself in, and yet I couldn’t shake how real it felt. If nothing else, Letts has a handle on the emotive core of human nature.

The Stasis is a powerful work. It dares to question everything from what constitutes family and the nature of morality. It brings you into the depths of despair and then pulls you out, only to shove you back in once more. It’s a fantastic book, for all ages, and one that I’m not shy at all about giving a heartfelt recommendation to. The best of the series so far, which says a lot. By the end, you’ll think of one line Mira states at the beginning of the novel – The only inevitable truth is death – and hope that the characters will come to realize that despite the nugget of truth of that statement, there are many inevitable truths.

Death is only one of them.

Plot - 9

Characters - 9

Voice - 9

Execution - 9

Personal Enjoyment – 10

Overall – 46/50 (4.6/5)

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Review: Powerless: The Shadowing by Jason Letts

Rating: 4.1 out of 5

“Heroic? The only heroes are the people who happen to get it right when everyone is watching.”

When we talk about heroism, about doing the right thing, are we doing so because it’s honorable or simply to be rewarded for doing something we think to be so? What does it mean when we look inside ourselves and find out we really don’t know who we are, that those we trust are less than trustworthy, that those efforts to gain acceptance through the previously mentioned gallant acts are meaningless? Do we let the pain and suffering define us, or do we rise up against the torrent of doubt and push to define ourselves rather than allow the situations we’ve found ourselves in to define us? And which way is the correct one?

These are some of the core questions asked in “The Shadowing”, the second book of the “Powerless” series by Jason Letts. It is the tale of Mira, the lone girl with no special abilities in a world where every other person has a superpower of one type or another.

This novel begins where the previous book, “The Synthesis”, left off; with the students, fresh off their confrontation with the baddies who attacked Mira’s house, saying goodbye and ready to head off to become “shadows”, or apprentices, in order to further learn to become experts with their powers. (As a side note, I did have a bit of a problem with this method of beginning the story. I felt there should have been at least a month or so gap between events. The way it's written seems a little rushed. Luckily, however, this awkward tone dissipates quickly and the story picks up steam again.) They disperse, heading off to learn their craft and ready themselves to fight in a war that is their mutual destiny.

It is in these training sequences that this particular novel shines. The teachers are all fresh characters, and to see the way the main protagonists – Mira, Aoi, Vern, and Will – change is accomplished with clever plotting and more than a trace of subtlety. The rancher who guides the hotheaded Aoi, for example, is a man of such calm that at times he seems to be a pillar of stone in a raging windstorm. To see his affect on a girl whose temper and angst had previously ruled her life was to witness the birth of a woman from a little girl. It was achieved with sensitivity and respect for the characters, which for a writer is sometimes very hard to do.

But it is the changes that occur within Mira that are the crux (and heart) of this tale. She heads off to find the only individual she thinks can help her – Flip Widget, the author of the science manuals that have guided her life, whose name is both humorous and, as you glance deeper into his character as the story progresses, deeply prophetic.

She is put through trials she barely survives, given information that rocks the core of her world, and in the end discovers a supposed truth about herself that causes her to question her place in the world – which, as for any of us, always comes down to our place within our own families, because when it comes down to it, our families ARE our worlds.

Seeing the change in Mira as this chapter of a much larger tale reaches its climax is heartbreaking. This was a girl of such innocence and drive, and when the innocence is ripped from her, the remaining ambition is driven in murky and sometimes unforgivable directions. And yet we can understand the thoughts that run through her head, the anger she feels, because each and every one of us has been betrayed at some point in our lives. Each of us has felt the slaughter of our self-definition and the desire to lash out at those who’ve wronged us, even if they aren’t around. And by the last page, as Mira is gazing at the sky, crying and wondering whatever she did to deserve the torment forced upon her, we are right there with her; disbelieving, cynical, and, more than anything, sad.

I have to say, for a second installment in a series, this book goes to some unexpectedly dark places. I appreciated it so much. In that way, it’s a step ahead of its predecessor. However, in other ways it lags behind. A sensation of innocence prevailed over everything in the first book, and the dialogue suited that tone. In this one, however, it becomes a bit stilted at times; robotic, almost like reading one of George Lucas’ “Star Wars” scripts. I assume this was because the writer had a difficult time transitioning them from adolescence to young adulthood. It is an awkward transition, and for this reason I am willing to overlook it. Just as the characters are learning about themselves, author Letts is learning about them at the same time. I have a feeling that come the next installment, this issue will have been worked out, and all will flow smoothly. After all, it was simply something I noticed, not a distraction.

One other thing I feel I must mention is the writing style. Once more, this is a book told in third person omniscient. As I’ve stated over and over again, this can be more than a little distracting and maddening, and those who are sticklers for point of view must be forewarned. Now, being that this is my own brain, I can choose to ignore the things that annoy me if I think the story itself is good enough. On the other hand, as a reviewer I have a responsibility to the reader to point out the flaws, and so I will.

Despite this, however, I still loved the book. It’s a wild romp through the treacherous maze of the teenage mind as adulthood lurks right around the corner. It’s about desiring to choose the right path and being able to forgive yourself if you fail to do so. There is pain, there are fleeting moments of joy, and behind it all there’s the growing portent of an evil that will surely swallow these brave young people whole if they don't rise up to the challenges ahead of them.

In all, it’s a book I enjoyed very, very much. I feel adults will get as much out of it as the YA crowd it's written for. I look forward to the next book, and can’t wait to see whether Mira and her friends can overcome the horrors that await them. I have a feeling that the losses will only mount as the series moves onward. In that way, whoever reads this book should cherish those innocent moments that still exist, because in all probability, they aren’t going to last long.

Yes, this books gets a resounding, “Go and buy it!” from this humble reviewer. So do it already!

Plot - 9

Characters - 9

Voice - 7

Execution - 7

Personal Enjoyment – 9

Overall – 41/50 (4.1/5)

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Review: Powerless Book I: The Synthesis by Jason Letts

Rating: 4.5 out of 5

First off, let me say that I dislike the term, “Young Adult Fiction”. This particular tag labels a work as childish, only for children or “young adults” (duh!). I recently read an article that said if Harper Lee’s “To Kill a Mockingbird” were to be published for the first time today, it would most likely be labeled as such. This is sad, because I have a feeling there are many YA books out there that are fantastic reads, and yet adults may pass them by, thinking the material to be beneath them.

Jason Letts’ “Powerless Book I: The Synthesis” is one of those books.

The story is simple and yet brilliant. On an earth much like our own, the whole of the populace has been granted super powers (for lack of a better word) since birth. All, that is, except our heroine, a precocious sixteen-year-old named Mira.

Mira has been kept isolated by her loving parents for all her life, surrounding their house by a wall of impenetrable mist to keep their vulnerable baby safe. Life goes on as usual for this family until, one night, a face appears to Mira through the clouds. This sparks her curiosity about the outside world, and leaves her parents with little choice than to unveil the reality of existence to their daughter.

From there, the storyline follows a fairly predictable trail. Mira goes to school, meets her classmates, makes friends (and possibly enemies), and generally experiences the growing pains that would accompany a person who’s lived their entire life locked away from the rest of humanity. However, when I say “predictable”, I don’t mean “bad”.

The wonder of this novel isn’t the storyline, but the feel of the characters. These are teenagers we’re talking about here, and though they are as selfish, vain, and insufferable, as teenagers usually are, there is also a layer of righteousness in each of them. We can see it, just beneath their surface, even if those acting out the deeds on the page cannot. It was truly inspiring to see, and I felt myself being thrown back into my own late teen years, wishing that in my own trials and tribulations I could’ve made the same bright and insightful choices that the characters here do.

The novel’s setting is magical, though in a subdued sort of way. There are many times where the reader will shift from a realm of high fantasy, what with the village square and the sealed fortress, where everyone walks (or flies, or teleports, or whatever else) to where they have to be through lush forests, to modern-day realism, where there is a knowledge of batteries and mechanics. This is not a stretch. Think about living in a world where everyone can do such wonderful things with their bodies. There would most likely not have been an industrial revolution, as there are folks who could perform certain tasks (a la shaping metal with the slightest touch or lift heavy objects from a distance with nothing but flick of the wrist) with relative ease. This doesn’t mean that science is dead; no, on the contrary, science exists, and it is very much the same, but it is pushed to the background because, with all these wondrous gifts, it is relatively unnecessary.

This is an innocent book and, as I said, simple. And it is also the first of a series. Like some of the other great works dealing with children (from Harry Potter to Buffy the Vampire Slayer), we should understand that as the volumes build and the characters grow older, the product will become darker and more adult. This is why the early books – or episodes – of these particular series should be cherished. Though they grew in scope and reached exciting and satisfactory endings, there is still, when one looks back, a sort of melancholy that emerges. We understand that we’ve known these characters since they were naïve and impressionable, and it hurts just a little to see their innocence diminish through their troubles and the sorrow of reaching adulthood. We should always remember that innocence, that clarity of youth, because without it, we become nothing but hollow shells.

“Powerless Book I: The Synthesis” captures all of this, and more, and promises that there will be even grander adventures right around the corner.

In short, I adored this little novel. It is well worth the read, and I am truly excited for the upcoming volumes to be released. I give it 4.5 out of 5 stars – the docked half-point existing only because I thought the ending a bit hokey. Not bad, just hokey.

But it’s fantastic, anyway. I invite all to check it out. Only available on the Amazon Kindle.

Powerless Book I: The Synthesis by Jason Letts

Plot - 9

Characters - 9

Voice - 9

Execution - 9

Personal Enjoyment - 9

Overall - 45/50 (4.5/5)